The Renaissance Era of Disney princesses, also called the “rebel children era,” appears to have been in response to a wake-up call for a needed transition from being conventional to being a reformer. In the Classics Era, these kinds of gender stereotypes and the objectification of submissive female characters were at their peak. As the story continues, we don’t even get a chance to see Aurora’s depth of character -only her beauty and grace. In “Sleeping Beauty,” the fairies give Aurora the gift of beauty - not intelligence or personality - when she is a newborn. Cinderella is more developed but still struggles to progress beyond the limits of needing someone to save her she is curious about the world, but ends up with the strong Prince Charming that saves the day. The only thing she does in the movie is clean the house for seven guys and get saved by another one. Snow White is the typical, beautiful, gentle and innocent princess. These princesses also fit squarely into conventional beauty standards. They were waiting for someone to come rescue them. The Classics-Era princesses - Snow White, Cinderella and Sleeping Beauty - were primarily passive and temperate.

There are two types of Disney Princesses: traditional ones and new ones and there are three eras: the Classics Era, the Renaissance Era and the New-Age Era. This move gives hope for young generations, especially girls, to be powerful on their own. In recent years, though, Disney has attempted to redefine what it means to be a Disney princess.

Many of them taught kids the stifling bonds of gender roles and emphasized the importance of looks and beauty standards. The impact of these princess movies, however, is far from benign. Generations grew up with these fancy, beautiful princesses, sometimes even serving as role models with their kindness and loving personas. Most of us remember watching Disney princess movies growing up - it is safe to assume that almost everyone has seen at least one of them.

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